Douglas Coupland ( KOHP-lənd) (born December 30, 1961) is a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized terms such as "McJob" and "Generation X". He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. He is a columnist for Financial Times. He is also a frequent contributor to The New York Times, e-flux journal, Dis, and Vice. His art exhibits include Everywhere is Anywhere is Anything is Everything which was exhibited at the Vancouver Art Gallery, and the Royal Ontario Museum and the Museum of Contemporary Canadian Art, and Bit Rot at Rotterdam's Witte de With Center for Contemporary Art and the Villa Stuck.Coupland is an Officer of the Order of Canada, and a member of the Order of British Columbia. He published his thirteenth novel Worst. Person. Ever. in 2012. He also released an updated version of City of Glass and a biography of Marshall McLuhan for Penguin Canada in their Extraordinary Canadians series, called Extraordinary Canadians: Marshall McLuhan. He is the presenter of the 2010 Massey Lectures, and a companion novel to the lectures, Player One – What Is to Become of Us: A Novel in Five Hours. Coupland has been longlisted twice for the Scotiabank Giller Prize in 2006 and 2010, was a finalist for the Writers' Trust Fiction Prize in 2009, and was nominated for the Hubert Evans Non-Fiction Prize in 2011 for Extraordinary Canadians: Marshall McLuhan.
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And then I felt sad because I realized that once people are broken in certain ways, they can't ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one. You wonder when your turn is going to be, or if it's already happened.
Here's my theory about meetings and life; the three things you can't fake are erections, competence and creativity. That's why meetings become toxic they put uncreative people in a situation in which they have to be something they can never be. And the more effort they put into concealing their inabilities, the more toxic the meeting becomes. One of the most common creativity-faking tactics is when someone puts their hands in prayer position and conceals their mouth while they nod at you and say, 'Mmmmmm. Interesting.' If pressed, they'll add, 'I'll have to get back to you on that.' Then they don't say anything else.