Annie Dillard (born April 30, 1945) is an American author, best known for her narrative prose in both fiction and non-fiction. She has published works of poetry, essays, prose, and literary criticism, as well as two novels and one memoir. Her 1974 work Pilgrim at Tinker Creek won the 1975 Pulitzer Prize for General Nonfiction. From 1980, Dillard taught for 21 years in the English department of Wesleyan University, in Middletown, Connecticut.
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Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford. Recently, scholars learned that Walt Whitman rarely left his room.
I couldn't remember how to forget myself. I didn't want to think about myself, to reckon myself in, to deal with myself every livelong minute on top of everything else — but swerve as I might, I couldn't avoid it. I was a boulder blocking my own path. I was a dog barking between my own ears, a barking dog who wouldn't hush. So this was adolescence.
In the Koran, Allah asks, "The heaven and the earth and all in between, thinkest thou I made them in jest?" It's a good question. What do we think of the created universe, spanning an unthinkable void with an unthinkable profusion of forms? . . . If the giant water bug was not made in jest, was it then made in earnest?
In forming a bridge between body and mind, dreams may be used as a springboard from which man can leap to new realms of experience lying outside his normal state of consciousness and enlarge his vision not only of himself, but also of the universe in which he lives.
The Cosmos is all that is or ever was or ever will be. Our feeblest contemplations of the Cosmos stir us — there is a tingling in the spine, a catch in the voice, a faint sensation as if a distant memory, of falling from a height. We know we are approaching the greatest of mysteries.