Philip Milton Roth (March 19, 1933 – May 22, 2018) was an American novelist and short-story writer.
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All I could do was to follow his stretcher up to the room where they put him and sit by the bedside. Dying is work and he was a worker. Dying is horrible and my father was dying. I held his hand, which at least still felt like a hand; I stroked his forehead, which at least still looked like his forehead; and I said to him all sorts of things that he could no longer register. Luckily, there wasn't anything I told him that morning that he didn't already know.
The only obsession everyone wants: ‘love.’ People think that in falling in love they make themselves whole? The Platonic union of souls? I think otherwise. I think you’re whole before you begin. And the love fractures you. You’re whole, and then you’re cracked open.
Writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time.
This increasingly intelligent, fast-moving civilization needs to be applying some of its intelligence to things that change slowly. . . . If we are constantly tending to the immediate, day-to-day problems, we'll lose that sense of the long term, and then we could be really sorry.
When a child first catches adults out — when it first walks into his grave little head that adults do not have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just — his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.