Sir Tom Stoppard (born Tomáš Straussler; 3 July 1937) is a Czech-born British playwright and screenwriter. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, The Invention of Love, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received an Academy Award and four Tony Awards. His work covers the themes of human rights, censorship and political freedom, often delving into the deeper philosophical thematics of society. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture".Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the three years prior (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright.
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Christ didn't say, "Love humanity as thyself," but, "Love thy neighbor as thyself," and do you know why? Because your neighbor, by definition, is the person nearby, the man sitting next to you in the underground who smells, perhaps, the man next to you in the queue who maybe tries to barge ahead of you; in short, your neighbor is the person who threatens your own liberty.
Songs and smells will bring you back to a moment in time more than anything else. It’s amazing how much can be conjured with a few notes of a song or a solitary whiff of a room. A song you didn’t even pay attention to at the time, a place that you didn’t even know had a particular smell.
The sense of smell in the animal is what intuition is to the human spirit. It tells you of the invisible, of what cannot be detected by any other means. It tells you the things that are not there, yet are coming. You see into the blind, opaque past and round the corner of time.